Black & White Photography (c)
Eugene Atget: 12 February 1857 – 4 August 1927) was a French pioneer of documentary photography, noted for his determination to document all of the architecture and street scenes of Paris before their disappearance to modernization. Most of his photographs were first published by Berenice Abbott after his death. An inspiration for the surrealists and other artists, his genius was only recognized by a handful of young artists in the last two years of his life, and he did not live to see the wide acclaim his work would eventually receive. https://www.moma.org/artists/229
Hiroshi Sugimoto: born on February 23, 1948, is a Japanese photographer and architect. He leads the Tokyo-based architectural firm New Material Research Laboratory.
Sugimoto has spoken of his work as an expression of ‘time exposed’, or photographs serving as a time capsule for a series of events in time. His work also focuses on transience of life, and the conflict between life and death.
Sugimoto is also deeply influenced by the writings and works of Marcel Duchamp, as well as the Dadaist and Surrealist movements as a whole. He has also expressed a great deal of interest in late 20th century modern architecture.
His use of an 8×10 large-format camera and extremely long exposures has garnered Sugimoto a reputation as a photographer of the highest technical ability. He is equally acclaimed for the conceptual and philosophical aspects of his work.
https://www.sugimotohiroshi.com/
Sugimoto has spoken of his work as an expression of ‘time exposed’, or photographs serving as a time capsule for a series of events in time. His work also focuses on transience of life, and the conflict between life and death.
Sugimoto is also deeply influenced by the writings and works of Marcel Duchamp, as well as the Dadaist and Surrealist movements as a whole. He has also expressed a great deal of interest in late 20th century modern architecture.
His use of an 8×10 large-format camera and extremely long exposures has garnered Sugimoto a reputation as a photographer of the highest technical ability. He is equally acclaimed for the conceptual and philosophical aspects of his work.
https://www.sugimotohiroshi.com/
Robert Adams: (born May 8, 1937) is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West (1974) and his participation in the exhibition New Topographics: Photographs of a Man-Altered Landscape in 1975. He has received two Guggenheim Fellowships, a MacArthur Fellowship, the Deutsche Börse Photography Prize and the Hasselblad Award.
https://fraenkelgallery.com/artists/robert-adams
https://fraenkelgallery.com/artists/robert-adams
Tokhiro Sato: born in September 14, 1957 in Sakata, Yamagata Japan) is a Japanese photographer. Sato is best known for his unusual expressions of light and space and interpretations of performance and dance. Receiving his MFA and BFA in Music and Fine Arts from Tokyo National University of Fine Arts and Music in 1981, Sato was originally a trained sculptor, but decided to go with photography to better communicate his ideas.
Recognized for his playful interaction of light, Sato uses a large-format camera for exposures that last from one to three hours, while he moves through the space creating points of light or illuminated lines drawn with flashlights or flashes made by reflecting mirrors. The results are detailed photographs interrupted by patterns of light. And because of the long exposures, Sato’s movements across the scene remain undetectable by the camera; the photograph captures his presence but not his image.
https://www.artsy.net/artist/tokihiro-sato
Recognized for his playful interaction of light, Sato uses a large-format camera for exposures that last from one to three hours, while he moves through the space creating points of light or illuminated lines drawn with flashlights or flashes made by reflecting mirrors. The results are detailed photographs interrupted by patterns of light. And because of the long exposures, Sato’s movements across the scene remain undetectable by the camera; the photograph captures his presence but not his image.
https://www.artsy.net/artist/tokihiro-sato